VAM 179 | Interview with Feodor Chin, Part 2
Welcome to episode 179 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
This is the second and final part of my interview with Feodor Chin. You can hear Feo’s voice over work in games like Overwatch, Ghosts of Tsushima, League of Legends, and World of Warcraft: Mists of Pandaria. He’s worked on the Regular Show for Cartoon Network, and on-camera he’s worked on TV shows such as Nash Bridges, The Mindy Project, and Jane the Virigin. He’s also narrated or contributed narration to over 100 different audiobooks!
In the previous episode, Feo outlined the steps he took to become a professional actor. There was no single moment when he “broke into show business”. Instead, Feo diligently studied to improve his acting skills and then consistently took the actions necessary to find acting opportunities. This included regularly marketing his skills to producers and casting directors who were hiring actors. This is the unglamorous homework that it takes to book regular work as an actor. No one in the industry suddenly discovers you and then paves a path to success for you. If you want to get paid to voice act, you need to master your art, research your industry, and then market your professionally competitive skills to producers who are looking to hire top notch acting talent for their projects. Feo never shied away from putting in all the behind-the-scenes work that was necessary to help him become a working actor both in voice over and on-camera.
In the final part of our discussion, I ask Feo what inspired him to become a performer in the first place. In the previous episode, Feo had mentioned that in high school, he had seen Dustin Hoffman’s performance as Willy Loman in the movie, Death of a Salesman. Hoffman’s acting had made a huge impression on Feo, so in this episode, I ask Feo to outline in more detail what exactly was so compelling about that performance. Feo explains that after watching Hoffman perform, he became fascinated with diving deep into the emotional life of a character. He talks about the satisfaction he gets from fully embodying a character, especially when a character’s psychology is incredibly rich or nuanced.
After that, we discuss Feo’s background in improv and sketch comedy. He explains to me the differences between full improvisational performances and the sketch comedy writing that he works on most often. We then talk about how we both apply our improv background to the challenges we face as voice actors, especially when we’re given very little information about a character or the story they come from, and yet are still expected to deliver authentic and believable performances. We also discuss the challenges Asian-American actors face in the entertainment industry and how Asian representation in media has changed over the past 20 years or so. We wrap up our discussion with Feo’s advice to the aspiring voice actor, and how important it is to be open to different career opportunities because you never know where you’re going to find success.
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