VAM 088 | Q & A Session 17 – Reducing Sibilance & Practicing ADR and Anime

Welcome to episode 88 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Yvonne from Oakland, CA and Emily from Tampa, FL.

Yvonne works in the audiobook industry. He’s been having trouble with his recordings being too sibilant.

First, let me define sibilance for those of my listeners who may not be familiar with the term. Sibilance is the sound one makes in the English language when one makes an “s” sound. In the world of voice over, sibilance usually refers to someone whose “s” sounds are too pronounced or hissy.

I give Yvonne some tips on how to reduce the sibilance in his recordings, both in terms what he might need to change in his performance as well as numerous technical solutions to the problem.
 
Emily is aware that in order to work as a voice actor in anime, a performer needs to know how to match the lip flap of characters on the screen. She’d like to know how to practice matching lip flap on her own.

Matching the lip flap of characters on the screen is a challenging skill to develop.

The practice of dubbing your voice to preexisting video footage is known as Automatic Dialogue Replacement or ADR. Not only is ADR work challenging for an actor, but because the technical requirements to set up an ADR recording session are complicated, it’s challenging for a recording engineer as well.

While running your own ADR setup is possible it requires manipulation of audio and video on a professional level. I share some of the software one can use to run ADR sessions on your own, but learning how to use such software effectively still requires a significant investment of time and energy.

Emily’s time might be better served by taking classes like my Anime Voice Acting Workshops where all the technical challenges are taken care of.

I hope you find the answers useful in your own voice acting endeavors!

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #88 Here (MP3)

VAM 087 | Q & A Session 16 – Shadowing vs. Internships & A Day in the Life of a Voice Actor

Welcome to episode 87 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Justin from San Diego, CA and Tina from Chicago, IL.

Justin wants to know if it’s possible to shadow or apprentice under working voice actors in order to learn about the industry.

I understand and applaud the idea of apprenticeship. I think it can be far more educational to work with someone who actually makes a living in your field of interest than to simply study that career from a distance.

However, there are some unique challenges that arise from trying to shadow people who are working as voice actors, especially in the world of animation and video games. I explain those challenges in detail and offer an alternative that might be more productive: internships.
 

Tina wants to know what a normal schedule for a full-time voice actor would be on a daily basis.

Tina asks a great question. The problem is there is no simple answer. With most traditional professions where you are required to go to an office or some other place of work day after day, it is possible to describe what an average work day might be like. This is not the case with voice acting. Voice actors can have very inconsistent schedules, which makes it difficult to describe a “typical” workday for a voice actor.

While I don’t know if I can tell her what a typical voice actor’s day might be like, I can share with her how variable my schedule as a voice actor tends to be.

I hope you find the answers useful in your own voice acting endeavors!

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #87 Here (MP3)

VAM 086 | Interview with Scott Menville, Part 3

Welcome to episode 85 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

This is the third and final part of my interview with the wonderfully talented Scott Menville.

Scott is probably best known for his portrayal of Robin in the animated series Teen Titans and Teen Titans Go!, but Scott has been working both as a voice actor and an on-camera actor since he was 11 years old! Scott brings a wealth of experience to our discussion as well as an amazingly positive mindset, and I’m thrilled to have him on the podcast.

In this episode, Scott and I wrap up our discussion by talking about the times in voice acting when things didn’t seem to go our way. However, in the midst of such adversity, Scott and I both learned powerful lessons. Often you learn and grow more from your “so called” failures than your successes. After all, a failure is just an opportunity to learn something new on the way to your future success.

At the end of our interview, Scott was kind enough to share his advice for aspiring voice actors. His insights are useful and encouraging, and I’m sure you’ll enjoy them.

In the next episode, I’ll continue answering more questions from my listeners. For those of you who don’t know, I provide a call-in number where any of you can leave me a voicemail with your own thoughts, thank you’s or questions. Then, when it’s time for me to do a Q&A episode, I choose the most relevant questions and answer them for you here on the podcast. The call-in number is 323-696-2655. Please remember to state your first name and what city in the world you’re calling from before leaving your message. Thanks again for listening, and I’ll see you in the next episode!

Download Voice Acting Mastery Episode #86 Here (MP3)