VAM 132 | Interview with Eliza Jane Schneider, Part 2

Welcome to episode 132 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

Welcome to the second part of my interview with voice actor and dialect expert, Eliza Jane Schneider! You may be familiar with her work voicing almost all of the female characters on the animated series South Park in the years between 1999 and 2003. Eliza and I have also been in a number of projects together including Diablo III where I played the Male Wizard and she played the Female Necromancer, and also the Pirates of the Caribbean video games where I voice match Orlando Bloom to play Will Turner while she voice matches Keira Knightly to play Elizabeth Swann.

In addition to her many acting accomplishments, Eliza is incredibly dedicated to the study and mastery of English language dialects. She is a highly sought after accent coach and I’m very happy to have her on the podcast to share her insight and expertise with all my listeners!

In the previous episode, Eliza told us how she broke into the entertainment industry, first as an on-camera actress, and later as a voice actress. In this segment of our interview, we discuss her dialect work and how her music training as a young girl helped inform her technique for mastering different accents. Her ability to hear fine nuances in how people pronounce their words has allowed her to create her own unique way of teaching accents to performers. In fact, in this episode she puts me through my paces and helps me improve my own Australian accent! I think you’ll find her insight as enlightening as I did!

If you would like to learn more about Eliza’s dialect training, please visit her website at:

www.DialectMasterClass.com

Download Voice Acting Mastery Episode #132 Here (MP3)

VAM 126 | Speech Problems that Might Be Holding You Back

Welcome to episode 126 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I’d like to spend some time discussing how important it is to be aware of what you sound like when you’re speaking. I have watched too many of my voice acting students struggle because they are unaware of what their own voice actually sounds like. Unbeknownst to many, what you hear inside your head when you’re speaking is not what others hear. If you haven’t taken the time to get to know how you actually sound to the rest of the world, you’re missing out on crucial information that can make or break your voice acting career. Not only do you need to be aware of the tone or timbre of your voice, but you also need to become intimately familiar with your habitual manner of speaking and how you articulate words. Like a musician playing an instrument, it’s vital that you understand exactly what kind of sounds you are producing and how they are perceived by others. Without such self-awareness, you will not know how to modify your delivery for different characters you’re asked to play, or how to make precise vocal adjustments in order to communicate effectively to your audience.

For some actors, their habitual manner of speech might be fine for portraying certain characters. These actors may have a sound that is marketable or popular at the moment, so they may not feel the need to spend much time thinking about how they sound. After all, it’s working so far. Meanwhile, other actors may struggle to be considered for parts because they may have regionalisms or enunciation problems which make it difficult for producers to cast them. Regardless of whether you are blessed with a currently marketable sound, or have some speech challenges that you need to overcome, at some point nearly every actor will be asked to play a character who speaks with a different intonation, accent, or vocal quality than the one you use in everyday life. In those situations, you need to be able to modify the way you speak in order to suit the character you’re being asked to portray.

While at first it may seem obvious that a voice actor needs to know what they sound like and how they speak, you might be surprised at how often I work with people who seem completely unaware of either of these things. If someone on the outside points out that they might have regionalisms or limiting speech patterns, they can often become quite defensive. In this episode, I want to explain why this is and help share some useful tools to help you overcome any limitations you might be facing due to habitual speech patterns. Changing how we speak is actually an incredibly emotional topic and can make many people feel uncomfortable. Hopefully by the end of this episode, you’ll not only understand the underlying issues at work here, but you’ll have a far better grasp on what you as a voice actor can do to avoid any speech problems that might be holding you back.
 
Download Voice Acting Mastery Episode #126 Here (MP3)

VAM 124 | Interview with Richard Tatum, Part 2

Welcome to episode 124 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

This is the second part of my interview with my good friend Richard Tatum! Richard is not only an accomplished voice actor, and voice over teacher, but also an amazing producer of voice over demos. You may know him as Rex Goodman in Fallout 4, the voice of Theodore Roosevelt in Civilization VI and Omar Harmozi from the animated series Static Shock. I first came across Richard’s work as a demo producer when one of my students played me her demos and I was blown away by how well they represented her abilities as an actress. Not only was her character demo very compelling, but her commercial demo was impressive as well. When I asked her who had produced them, she introduced me to Richard and he and I have been friends ever since.

In our previous interview segment, we discussed the beginning of Richard’s acting journey and how his strong theatrical acting background helped him pursue a voice over career. Amazingly, Richard broke into voice acting not just once, but twice! The first time was around 1996 when he got his first agent and started booking voice over work in Los Angeles. Unfortunately, when the actor’s union strike against commercials in 1999 dragged on for 6 months, Richard found that he needed to pursue other employment opportunities outside of voice over. Years later, in 2011, he decided to approach voice acting again. This time around he had a more methodical approach as well as far more experience under his belt. I think it’s incredibly useful to hear what changed and what stayed the same between both time periods when it comes to trying to break into the voice acting world.

In this episode, we’ll talk about how Richard began producing demos for voice actors. Through some wonderful synchronicity, Richard was able to join forces with a colleague of his to start coaching voice actors as well as help develop their demos. Not only do we discuss what you should and should not put on your demo, Richard also explains the mindset you need to have in order to use that demo to market yourself effectively to agents and casting directors. I certainly learned a lot from this segment with Richard and I’m sure you will as well!

If you’d like to find out more about Richard’s classes and voice over demo services, please visit his website at:
AbsoluteVoiceOverLA.com
or contact him via e-mail at:
AbsoluteVOLA@gmail.com

Thanks for listening!

Download Voice Acting Mastery Episode #124 Here (MP3)

VAM 116 | The Computer Skills and Audio Knowledge You Need to Be a Voice Actor, Part 3

Welcome to episode 116 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In the first episode of this three part series, I outlined the basic computer skills you need in order to be able to record professional quality audio in your home studio. In the second episode, I expanded on that subject and explained the actual process of digital recording using simple metaphors. After listening to those episodes you should have a much clearer understanding of how your computer works and how your microphone and audio interface process and record audio as digital information. If you haven’t listened to the the previous two episodes in this series yet, I highly recommend that you review them both before continuing. As I conclude my discussion of this topic, I’m going to be building on the information I shared with you in the last two episodes.

In this third and final part of the series I want to talk about how to use your home recording setup to its fullest potential. I’ll be revealing to you the settings that professionals use to maximize the quality of their recordings. I’ll explain the differences between different digital audio formats, and I’ll also be warning you about some of the most common mistakes voice actors make when recording at home so you can avoid them! As I’ve mentioned previously, it may be good for you to have a notebook nearby to write down the terms and ideas I’ll be discussing. After listening to this series of episodes, you should have a solid foundation for understanding the fundamentals behind professional quality digital audio recording.

If you have any thoughts, thank you’s or questions about this 3-episode series, please feel free to leave a comment on this blog post!

I’m also getting ready to do my next round of Q&A here on the podcast, so if you’d like a chance to have your question answered in a future episode, you can call the Voice Acting Mastery phone line at 323-696-2655. Please remember to state your first name and what city in the world you’re calling from before leaving your message. Thanks for listening, and I’ll see you in the next episode!

Download Voice Acting Mastery Episode #116 Here (MP3)

VAMFR 011 | Marketing and Self-Promotion for Voice Actors, Part 3

Welcome to episode 11 of the Voice Acting Mastery: Field Report podcast!

In this episode our correspondent, DanWill McCann, concludes his special report on how to market and promote yourself as a voice actor!

As was mentioned in parts 1 and 2 of this report, while attending a Los Angeles area convention called Wondercon, DanWill was able to ask several talented and successful voice actors about how they approach these topics. They were generous enough to share their insights, and DanWill found their methods and stories very valuable. In part 1 of this report, DanWill discussed business cards, websites, and the importance of both acting training and diligent participation in the industry. In part 2, he discussed social media, its rising impact on the voice over world, and some best practices for how to use it.

In part 3, DanWill would like to address the subject of agents and their role in getting your name out there, as well as what kinds of self-promotion and networking can be done at conventions like WonderCon. He’s also going to talk about demos, which are a major component of every successful voice actor’s marketing strategy.

Once again we’re lucky to hear from five impressive voice acting talents, including Dino Andrade, who recently announced he’ll be voicing the Scarecrow once again in Batman: Arkham Underworld, and Rikki Simons, who played the lovable Gir from Invader Zim. David Sobolov lends his voice to Draxx in Marvel’s animated series, Guardians of the Galaxy, and he was kind enough to speak with us as well. DanWill will also share advice from Sandy Fox, the voice of the Black Lady and Sailor Chibi Moon from Sailor Moon Crystal, and Lex Lang, an ADR expert on voice matching and creature noises whom you may have heard in recent movies like Jurrasic World and Deadpool. So here we go!

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

Download VAM Field Report Episode #11 Here (MP3)

VAM 115 | The Computer Skills and Audio Knowledge You Need to Be a Voice Actor, Part 2

Welcome to episode 115 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In the last episode, I outlined the basic computer skills you need in order to be able to record professional quality audio in your home studio. I spoke in depth about the structure of your computer and how it interfaces with any external audio devices you may be using such as a USB microphone or a USB audio interface. If you haven’t listened to the previous episode yet, I highly recommend that you review it before continuing. As I move forward, I’m going to be building on the information I shared with you last time.

In this episode I want to talk in depth about the process of recording audio on a professional level. Most beginning voice actors do not have a solid understanding of what it means to record professional level audio. With the proliferation of smart phones and other consumer level portable digital recording devices, we’ve all become very accustomed to recording both audio and video on the spur of the moment. We often watch videos and listen to audio that our friends and family post on social media websites. While these shared moments of audio and video may be spontaneous and candid, they almost never approach a level of quality that is acceptable for professional audio environments. Just imagine if the sound in the next big movie or TV show you decided to watch was recorded on your cell phone. It would be difficult for you to listen to it for long without being frustrated by the low quality of the audio. It takes studio professionals countless hours of focused attention and hard work to achieve the crystal-clear dialogue, sound effects and music you hear in your favorite Hollywood films and television series. If your goal is to be a professional voice actor who regularly collaborates with these industry professionals, you need to know how to achieve a more rarified level of audio quality in your own recordings.

I’m going to explain to you the basics of digital recording and what it takes to record audio on a professional level from your home studio. While a complete course on how to record studio-grade audio is beyond the scope of this podcast, I do want to provide my listeners with straightforward metaphors for understanding the process. I also want to address some common mistakes and misconceptions beginners often stumble over when approaching digital recording. I’ll explain in detail what’s going on inside your audio equipment so you’ll be better prepared for the next episode, where I’ll share best practices and more mistakes to avoid when recording yourself. While some of this might seem complicated at first, I’m going to do my best to simplify things. I want you to have a solid understanding so you can spend more time focusing on your voice acting performances and less time stressing about technical issues, while still producing professional quality audio. As I mentioned in the last episode, it may be good for you to have a notebook nearby to write down some of the terms and ideas I’ll be discussing. Let’s get started!

As always, you can check out the Toolbox section of this website for my recording software and hardware recommendations.

In the beginning of this episode, I promised to include diagrams here on the website to help show how sound actually works. When you hear something, your ears are responding to sound waves that are moving through the air. These sound waves compress and stretch the molecules in the air around you, creating vibrations that your ear drums can detect. The faster the compression and stretching of air that occurs, the higher the perceived pitch of the sound. The slower, the lower the pitch. You can see that compression and stretching in the diagram below.

This compression rate is also called the frequency of the sound, since the pitch of a sound is determined by how frequently the sound waves strike your ear drum within a certain time period. The volume of a sound depends on the size of those waves, which is also called their amplitude. The higher the amplitude of a sound wave, the louder you perceive it to be and vice versa. So a quiet, high pitched sound has a low amplitude and a high frequency, while a loud, low pitched sound has a high amplitude and a low frequency. You can see this in the diagram below. The solid blue line is the quiet, high pitched sound wave and the dashed red line is the loud, low pitched sound.

Download Voice Acting Mastery Episode #115 Here (MP3)