Welcome to episode 89 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I’d like to talk about a skill that is crucial to becoming a better voice actor: Critical Listening.

I touched on this topic briefly in my interview with Edward Bosco and Kimlinh Tran back in episodes 33, 34 and 35 of the podcast. When I asked Kimlinh what advice she would give to aspiring voice actors, she explained that the best thing they could do is to develop their Critical Listening Skills. I agreed.

If you’re going to pursue voice acting professionally you need to be able to listen to an actor’s performance, understand what acting choices they made, and then decide whether or not those acting decisions are the best ones to serve the character and the story. Until you develop the ability to listen to performances critically in both other actor’s work and in your own acting, you won’t know what you need to do to improve your performances. So let’s spend this episode talking about what it takes to develop your critical listening skills.

I hope you enjoy the episode!

Download Voice Acting Mastery Episode #89 Here (MP3)

Welcome to episode 88 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Yvonne from Oakland, CA and Emily from Tampa, FL.

Yvonne works in the audiobook industry. He’s been having trouble with his recordings being too sibilant.

First, let me define sibilance for those of my listeners who may not be familiar with the term. Sibilance is the sound one makes in the English language when one makes an “s” sound. In the world of voice over, sibilance usually refers to someone whose “s” sounds are too pronounced or hissy.

I give Yvonne some tips on how to reduce the sibilance in his recordings, both in terms what he might need to change in his performance as well as numerous technical solutions to the problem.
 
Emily is aware that in order to work as a voice actor in anime, a performer needs to know how to match the lip flap of characters on the screen. She’d like to know how to practice matching lip flap on her own.

Matching the lip flap of characters on the screen is a challenging skill to develop.

The practice of dubbing your voice to preexisting video footage is known as Automatic Dialogue Replacement or ADR. Not only is ADR work challenging for an actor, but because the technical requirements to set up an ADR recording session are complicated, it’s challenging for a recording engineer as well.

While running your own ADR setup is possible it requires manipulation of audio and video on a professional level. I share some of the software one can use to run ADR sessions on your own, but learning how to use such software effectively still requires a significant investment of time and energy.

Emily’s time might be better served by taking classes like my Anime Voice Acting Workshops where all the technical challenges are taken care of.

I hope you find the answers useful in your own voice acting endeavors!

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #88 Here (MP3)

Welcome to episode 87 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Justin from San Diego, CA and Tina from Chicago, IL.

Justin wants to know if it’s possible to shadow or apprentice under working voice actors in order to learn about the industry.

I understand and applaud the idea of apprenticeship. I think it can be far more educational to work with someone who actually makes a living in your field of interest than to simply study that career from a distance.

However, there are some unique challenges that arise from trying to shadow people who are working as voice actors, especially in the world of animation and video games. I explain those challenges in detail and offer an alternative that might be more productive: internships.
 

Tina wants to know what a normal schedule for a full-time voice actor would be on a daily basis.

Tina asks a great question. The problem is there is no simple answer. With most traditional professions where you are required to go to an office or some other place of work day after day, it is possible to describe what an average work day might be like. This is not the case with voice acting. Voice actors can have very inconsistent schedules, which makes it difficult to describe a “typical” workday for a voice actor.

While I don’t know if I can tell her what a typical voice actor’s day might be like, I can share with her how variable my schedule as a voice actor tends to be.

I hope you find the answers useful in your own voice acting endeavors!

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #87 Here (MP3)

Welcome to episode 83 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In the last episode, I talked at length about agents and managers. Specifically, I explained how to build a fruitful relationship with an agent by understanding what is their responsibility as your representative and what is your responsibility as their client. I also discussed the differences between agents and managers to ensure that there was no confusion among my listeners about the different jurisdictions and approaches of these two kinds of professionals.

In this episode, I’d like to talk about how best to interact with Producers and Casting Directors. I want to help you understand the mindset of producers since they are the ones who usually have the final say about who does and does not get hired to play a voice acting role. This may come as a surprise to some aspiring voice actors who might think that this decision gets made by a show’s voice director. While a voice director’s creative input is definitely considered during the initial casting stage, it is almost always the producer who finally decides which actors will play which characters.

Sometimes, producers will hire an industry professional known as a casting director to help with this process. A casting director can save a lot of the producer’s time by helping them narrow down the number of auditions submitted by actors. The casting director serves as a filter, listening to hundreds of submissions and bringing the producer only a final few to be considered for each available role. Even though it has become more common recently for producers to approach actors’ agents directly in order to solicit auditions, a good casting director can still play an important role in bringing actors and producers together.

Both producers and casting directors have a problem, one that only you can solve! Check out the episode to learn how best to help them!

Thanks for listening!

Download Voice Acting Mastery Episode #83 Here (MP3)

Welcome to episode 82 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In the last episode, I explained the basics of how the casting process works for traditional Hollywood style voice acting productions. I talked about the interaction between actors, their agents, casting directors and the producers of these projects.

However, after releasing the episode, I realized that some members of my audience might not be as familiar with the job descriptions and/or responsibilities of agents, managers and casting directors. Others may be familiar with what these industry professionals do, but may not know the best way to approach or work with them.

I’d like to take the next couple of episodes to clarify how you as a voice actor might interact with these types of industry professionals in the most fruitful way possible.

One of the most important business relationships you will have as a working voice actor is the one you share with your agent, so I want to spend the majority of this episode explaining what an agent is, what they are not, and the best practices for collaborating with them. Even though it is possible, especially in the beginning, for a voice actor to gain a certain level of experience and success without the professional representation that an agent can provide, it’s useful even for beginners to learn how actors and agents work together. This way you can be prepared to approach an agent with confidence once you’re ready to reach the next level in your career. I’ll also explain the difference between agents and managers, a distinction that can be confusing to actors new to the entertainment industry.

Thanks for listening!

Download Voice Acting Mastery Episode #82 Here (MP3)

Welcome to episode 81 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I continue answering questions from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.

For this round of Q & A, I answer questions from Anthony of Ladyville, Belize and Steven of Savannah, GA .

Anthony wants to know whether or not producers and directors pursue actors in order to cast them in their projects, or whether actors pursue producers in order to work on their shows.

Many people get their understanding of the acting industry from celebrity interviews or sensationalized entertainment magazines, where it can seem like actors are pursued to play certain roles and can then “pick and choose” which roles to accept. While this can be the case with high-profile on-camera celebrities, it’s not usually true for voice actors.

I explain to Anthony exactly how the casting process works in voice acting and how it differs from on-camera acting casting. I also share the 3 different ways that voice over casting tends to get done these days:

1. Agencies
2. “Pay-to-Play” Sites
3. Direct Marketing

Depending on where you are in your career, and what types of voice acting projects you’d like to pursue, one or more of these casting paradigms might be appropriate for you.

The question that Steven is asking is if voice actors decide to limit themselves to one field of voice acting, or whether they audition for anything that comes their way.

I picked Steven’s question because I feel it’s a good follow up to Anthony’s question about the casting process.

I explain to Steven the balance one must strike between discovering what one’s niche is in the voice acting world and making sure not to limit one’s possible employment opportunities.

I hope you find the answers useful in your own voice acting endeavors!

If any of my listeners would like to call in with your own thoughts, thank you’s or questions, the number is:

323-696-2655.

Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!

Thanks for listening!

Download Voice Acting Mastery Episode #81 Here (MP3)