VAMFR 015 | Introducing the New Lineup of Field Report Correspondents

VAM_FieldReport_PodcastLogo_300px

VAMFR 015 | Introducing the New Lineup of Field Report Correspondents

Welcome to episode 15 of the Voice Acting Mastery: Field Report podcast!

You can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.vamfieldreport.com/podcast

Greetings everyone! This is Crispin Freeman, voice actor and host of the Voice Acting Mastery Podcast. For this episode of our sister podcast, the Voice Acting Mastery Field Report, I’d like to start out by thanking all of our listeners who’ve been following this new show so far. For those of you just tuning in, in October 2015, we at Voice Acting Mastery launched the Field Report in order to give our audience some valuable new perspectives on the world of voice acting. Since the industry is constantly evolving and much has changed since I personally entered the field, I was eager to bring in some talented correspondents who could share with us their experiences building voice acting careers in today’s environment.

For the past 14 episodes, we’ve been fortunate enough to have Tom Bauer, DanWill McCann and Ashley Huyge bring us valuable insights on what challenges aspiring voice actors currently face in the entertainment industry. We’ve heard interviews from both seasoned industry professionals and up-and-coming talent, as well as special reports on relevant subjects designed to help you be successful in your own voice acting career! I hope you’ve enjoyed what Tom, DanWill and Ashley have shared so far. In this episode, we’ll be bidding a fond and grateful farewell to one of our correspondents, and we’ll also be welcoming a new one!

Recently, Ashley Huyge’s career has taken her in a different direction. She’s been busy both with her own voice over work as well as expanding her vocal coaching services for employees at corporations. While this is of course wonderful, it also means that she will no longer have the time to devote to being a correspondent for the Field Report. While we will miss her contributions to this podcast, we are happy for her success and we wish her the best in all her endeavors!

Fortunately for us, and for our listeners, we’ve been lucky enough to meet a wonderful new voice actress who has agreed to team up with us! Please join me in welcoming our newest Field Report correspondent, Maureen Price! Maureen has years of experience acting both on stage and on camera and is currently in the early stages of building her voice acting career. She’s eager to share with you her insights and experiences as she explores the world of voice over, and I for one am looking forward to hearing them.

In this episode of the Field Report, I decided to bring all three correspondents together for a round table interview, much like I did in the first episode. I wanted to spend some time introducing Maureen and give our listeners a preview of the unique perspective she’ll be bringing to the podcast. I also wanted to check in with both DanWill and Tom about how their voice acting journeys have been unfolding over the last year. There have been some exciting developments which I’m sure they’re eager to share with all of you!

So please welcome our new lineup of Field Report Correspondents, Maureen, DanWill, and Tom!

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

 

If you’re enjoying the podcast, I would really appreciate it if you could give our correspondents a positive review in the iTunes Music Store! Here’s how:

  1. Follow this link to the Voice Acting Mastery Field Report Podcast in iTunes. Your browser should open up to a page listing the podcast.
  2. Click on the View in iTunes button which looks like this:  in order to view the podcast in iTunes. (NOTE: You must have iTunes installed on your computer for this to work)
  3. Click on “Ratings and Reviews”
  4. Now click on the stars to rate. They look like this:  and click on “Write a Review” to leave your thoughts! It looks like this: Write a Review Button
That’s it! Thanks for giving our correspondents a positive review on iTunes! It helps other voice actors who are looking for this information find it quickly. We’re all very excited that the Field Report is now on iTunes and we’re looking forward to reaching even more people this way!

Thanks for listening!

 

Download VAM Field Report Episode #15 Here (MP3)

 

VAM 119 | Interview with America Young, Part 3

Welcome to episode 119 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

Welcome to the third and final part of my interview with the multi-talented America Young! In part 1 and part 2 of this interview, America shared with us her experiences working in almost every aspect of performing! She’s worked on-camera, as a voice actor, as a stunt performer and most importantly for our conversation, as a motion capture actress in video games! We’re very fortunate to have America talk with us about what it takes to succeed in the developing world of motion capture.

In the last episode, America helped define for us what motion capture is and how it differs from the more recently coined term, performance capture. She also explained how her experience as an on-camera actor and stunt performer informs her motion capture work. In addition, we discussed some of the most common practices in the world of motion capture.

As we wrap up our time together, America explains how she creates a character physically when she has very little information to work with. This is a common occurrence in video games where actors are rarely given an entire script from beginning to end to study before they are asked to perform. She also stresses the importance of using your imagination when performing motion capture. The MoCap volume is basically a big empty space that requires you to fill in the details of the world around you with your own creativity. We also touch on how America’s knowledge of geeky subjects like comic books can be both helpful and a hindrance when approaching her work.

Make sure to check out America’s movie, The Concessionaires Must Die!

 

Download Voice Acting Mastery Episode #119 Here (MP3)

 

VAM 118 | Interview with America Young, Part 2

Welcome to episode 118 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

Welcome to the second part of my interview with the multi-talented America Young! America has had experience in almost every aspect of performing! She’s worked on-camera, as a voice actor, as a stunt performer and most importantly for our conversation, as a motion capture actress in video games! I was eager to talk to America so she could share her insight with us about what it takes to succeed in the developing world of motion capture.

We begin our discussion in this episode by defining what motion capture is and how it differs from performance capture. We then explore how America’s background in acting and stunt work helped her when she had the opportunity to audition to be a motion capture actress for a Spiderman game. After that, we go into detail about some of the most common practices in motion capture and what you can expect when when find yourself on a motion capture stage.

America has a wealth of information to share so listen closely! You’ll learn how important it is to have a solid background in acting before attempting to perform as a physical character in video games!

 

Download Voice Acting Mastery Episode #118 Here (MP3)

 

VAM 117 | Interview with America Young, Part 1

Welcome to episode 117 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

Welcome to the first part of my interview with a woman who seems to have so many different abilities that it’s difficult to know quite how to categorize her! America Young has worked as a voice actress, an on-camera actress, a commercial actress and a stunt performer in addition to directing and producing her own films! She’s been working in the entertainment industry in one form or another since she was 6 years old! Her breadth of experience is truly astounding and I could spend multiple episodes just talking about the various projects she’s worked on. However, for the purposes of this podcast, I decided to focus on America’s voice acting resume and how she was able to translate her theatrical and stunt experience into becoming a motion capture actress.

One of the most interesting developments in the entertainment industry in the past decade or so has been the incorporation of motion capture performances into films and video games. Motion Capture, also called Performance Capture, is a means of recording an actor’s performance not on film, but digitally inside the virtual 3D space of a computer. This allows animators to then manipulate that performance and use it to bring characters to life in films and video games.

Motion Capture is utilized extensively in the video game industry to help animate characters for gameplay. It’s also used to create in-game cinematics. More and more actors are being asked not only to voice a character in a video game, but to supply a physical performance for that character as well. Since this is such a new and developing niche, I felt it was important to share with my audience what it takes to work in the world of Motion Capture.

While there are certain techniques specific to motion capture that you definitely must master in order to be successful, motion capture is still acting; it requires the same solid acting skills that any performance medium does. Therefore, in the first part of this interview, America and I discuss her background as a performer. We cover what inspired her to pursue acting, what challenges she faced early in her career, and how she was able to break into the industry. Following America’s journey towards becoming a professional actress in film and voice over is very enlightening. It will help you understand the foundational skills you as a voice actor need to develop in order to be an effective Motion Capture performer. That way you can be prepared when the opportunity arrises!

 

Download Voice Acting Mastery Episode #117 Here (MP3)

 

VAMFR 011 | Marketing and Self-Promotion for Voice Actors, Part 3

VAM_FieldReport_PodcastLogo_300px

VAMFR 011 | Marketing and Self-Promotion for Voice Actors, Part 3

Welcome to episode 11 of the Voice Acting Mastery: Field Report podcast!

In this episode our correspondent, DanWill McCann, concludes his special report on how to market and promote yourself as a voice actor!

As was mentioned in parts 1 and 2 of this report, while attending a Los Angeles area convention called Wondercon, DanWill was able to ask several talented and successful voice actors about how they approach these topics. They were generous enough to share their insights, and DanWill found their methods and stories very valuable. In part 1 of this report, DanWill discussed business cards, websites, and the importance of both acting training and diligent participation in the industry. In part 2, he discussed social media, its rising impact on the voice over world, and some best practices for how to use it.

In part 3, DanWill would like to address the subject of agents and their role in getting your name out there, as well as what kinds of self-promotion and networking can be done at conventions like WonderCon. He’s also going to talk about demos, which are a major component of every successful voice actor’s marketing strategy.

Once again we’re lucky to hear from five impressive voice acting talents, including Dino Andrade, who recently announced he’ll be voicing the Scarecrow once again in Batman: Arkham Underworld, and Rikki Simons, who played the lovable Gir from Invader Zim. David Sobolov lends his voice to Draxx in Marvel’s animated series, Guardians of the Galaxy, and he was kind enough to speak with us as well. DanWill will also share advice from Sandy Fox, the voice of the Black Lady and Sailor Chibi Moon from Sailor Moon Crystal, and Lex Lang, an ADR expert on voice matching and creature noises whom you may have heard in recent movies like Jurrasic World and Deadpool. So here we go!

The VAM Field Report will be released on the 1st Wednesday of every month so stay on the look out for it!

 

Download VAM Field Report Episode #11 Here (MP3)

 

VAM 113 | Do You Need to Be a Vocal Chameleon to Succeed as a Voice Actor?

Welcome to episode 113 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!

As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:

http://www.voiceactingmastery.com/podcast

In this episode, I want to address a common misconception about voice acting, one that often causes a lot of anxiety and self-doubt in new and aspiring voice actors. There’s a widespread belief that in order to truly be successful as a voice actor, you need to be able to perform dozens if not hundreds of different voices. A common question I hear from first-timers is, “How do I learn to change my voice more?” or “How do I expand my range of characters?” Everyone seems to want to play a large number of radically different-sounding characters, and it’s seen as a particular badge of honor if “no one can recognize that it’s you” playing those characters. On one hand it’s easy to understand why it might seem really important to be this kind of vocal chameleon. After all, you hear about it a lot. Often the voice actors that get the most media acclaim are those who have the ability to change the sound of their voice so radically that it is hard to tell it’s the same person playing different characters. Mel Blanc is the most obvious example of this. Mel was the voice of almost every male character in the classic Looney Toons, including Bugs Bunny, Daffy Duck, Yosemite Sam and many others. In more recent years, actors like Frank Welker, Billy West and Jim Cummings are often heralded for their ability to be vocal chameleons and to differentiate the sound of their characters drastically.

When faced with such impressive examples of vocal transformation, many beginning voice actors believe that the most important skill they must develop is the ability to modify the sound of their voice. They feel that they must be the voice actor of a hundred or a thousand voices and they worry that if they can’t achieve that vocal flexibility, that they’ll never be professionally competitive in the industry. This can lead to them spending the majority of their time trying to find techniques to change the sound of their voice, rather than focusing on the highest priority in voice acting: the acting.

While being able to change the sound of your voice is certainly a useful and marketable skill, being a vocal chameleon is not nearly as important as being a capable actor. It is far more important to have the emotional flexibility to identify with a wide range of character psychologies than it is to be able to disguise your natural speaking voice. Ideally, a consummate voice actor strives for both and can not only portray the nuances of a character’s psychology, but can also adjust their vocal instrument to sound appropriate as the character. But too often I see aspiring voice actors put all their focus on trying to change the sound of their voice, and not nearly enough attention on their ability to act well.

Another damaging aspect of believing that one needs to be a vocal chameleon is it can lead you to discount the greatest asset you have in your voice acting arsenal: your own natural voice. I’m going to spend this episode debunking the myth that you need to be a vocal chameleon, if only to free you from the creeping fear that your own voice is not enough. I’m also going to give you a way to approach vocal flexibility that is based on the emotional believability of your acting, rather then trying to use technical tricks to change what you sound like. The fact is, any vocal transformation that is not rooted in the psychology of a character will not sound believable anyway, so the more you focus on the acting, the more believable your vocal transformations will be. Let’s get started.

Download Voice Acting Mastery Episode #113 Here (MP3)