Welcome to episode 57 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
It’s time for another round of Questions and Answers from my podcast audience! For those who may not be as familiar with the podcast, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.
For this round of Q & A, I answer questions from Ben from Washington D.C. and Leonard from Calgary, Alberta.
Ben is recording a number of projects from home and he has discovered that when he raises his voice or screams, he ends up getting a lot of unwanted echoes or reverb on his recording. He wants to know what he can do to improve the acoustics of his recording space without spending a lot of money. There are two aspects to acoustical treatment:
Isolation can be very expensive, but sound absorption is far more achievable. One of the best ways to increase sound absorption in your booth is to use acoustical foam. The foremost manufacturer of acoustical foam is a company called Auralex. You can visit their website for more information including tutorials on how to treat your recording space.
If acoustical foam is outside your budget, some of my students have recommended using a Porta-Booth solution which is marketed by the voice over artist Harlan Hogan.
I discuss 2 other possible solutions in the episode as well that are even less expensive.
Leonard wants to know what to do when you encounter a rude or demeaning voice director. While most voice directors are incredibly professional and respectful, you may run into voice directors who can be quite obnoxious. I share with Leonard my techniques for keeping my cool in the booth when trying to work under ridiculous or even hostile circumstances!
I hope you find the answers useful in your own voice acting endeavors!
As a reminder, the number where you can call in and ask your question is:
323-696-2655.
Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!
Thanks for listening!
Download Voice Acting Mastery Episode #57 Here (MP3)
Welcome to episode 56 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
This is part 3 of my interview with the wonderfully talented Monica Rial! You can check out her amazingly long list of anime credits on the Anime News Network website!
As we wrap up our discussion of the Texas voice acting market, Monica explains how to approach companies like Funimation and Sentai Filmworks in order to audition for voice acting roles in anime. She also explains what you’ll need to do in order to be truly competitive as a voice actor.
Then, Monica shares with me her 3 part checklist of things she wants every aspiring voice actor to know about before going in to audition:
Monica expands on this checklist and shares all sorts of insider information. Trust me, it will save you a lot of heartache!
Download Voice Acting Mastery Episode #56 Here (MP3)
Welcome to episode 55 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
This is part 2 of my interview with the wonderfully talented Monica Rial! You can check out her amazingly long list of anime credits on the Anime News Network website!
In this part of our conversation, Monica shares with us the skill from her theater acting background that she has found most useful in her voice acting career. Turns out, it’s a secret, and Monica shares with me how to use that secret to your advantage! Also, she talks about her own challenge in figuring out which character types suited her voice the best and she gives advice on what you can do to find the character types that fit your voice. I think you’ll find it very enlightening!
Download Voice Acting Mastery Episode #55 Here (MP3)
Welcome to episode 54 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
In this episode, I’m pleased to be interviewing my good friend and amazingly accomplished voice actress Monica Rial! Monica has been in so many anime series, it’s impossible to name all of them here, from Dragon Ball to Excel Saga, from Noir to Soul Eater and everything in between. Monica has spent the majority of her career working in Texas and I was eager to get her on the podcast so she could share her knowledge of the Texas voice acting marketplace with those listeners who may be interested in pursuing voice acting in that area.
As of the recording of this podcast, Funimation is currently the largest distributer of anime in the U.S. and their studios are based in Dallas. ADV films, which helped fuel the anime market in the late 90’s and early 2000’s, is based in Houston and have now remade themselves into Sentai Filmworks. Suffice it to say, there’s a lot of anime that gets dubbed in Texas! In addition, more and more video games are now being recorded in Texas including such titles as Orcs Must Die!, Guitar Hero: World Tour and Halo Wars.
Monica will not only be able to give to you her insight on what it’s like to work as a voice actor in Texas but she’ll also share what it takes to succeed!
Download Voice Acting Mastery Episode #54 Here (MP3)
Welcome to episode 53 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
I’ve been getting so many great questions from my listeners recently, that I thought I would continue answering their questions here on the podcast. For those who don’t know, in past episodes, I’ve given out a phone number where you can call in and leave me a question about voice acting as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.
For this round of Q & A, I answer questions from David from Albuquerque, NM and Amanda from Irondale, MO.
David wants to know what options there are for practicing voice acting that don’t cost a lot of money. I share with him the advice I give my voice acting students: try voice matching professional voice actors, especially celebrities. Voice matching can help you in a number of different ways:
I not only share with David my advice on how to best practice voice matching, but I also explain the limits of practicing acting on your own and why it’s important to get the insight of a professional if you’d like to compete in the professional voice acting world.
Amanda wants to know if working on fandubs is a viable way to improve one’s voice acting skills. For those who may not know, a fandub is an amateur voice acting project where aspiring voice actors come together to re-record an animated show that they like with their own vocal performances. Some people do it just for fun, some people use it as a learning experience.
While there are many advantages to working on fandubs when you’re first starting out, including developing both your technical and artistic skills, there are also some pitfalls when working on fandubs. I share with Amanda what you need to know to best take advantage of fandub opportunities.
I hope you find the answers useful in your own voice acting endeavors!
As a reminder, the number where you can call in and ask your question is:
323-696-2655.
Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!
Thanks for listening!
Download Voice Acting Mastery Episode #53 Here (MP3)
Welcome to episode 52 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
In this episode, I continue answering questions that my listeners have been leaving me on the podcast voicemail number. I’ve been getting so many good questions lately, that it seemed appropriate to go through a number of them. For those who don’t know, in past episodes, I’ve given out a phone number where you can call in and leave me a question as a voicemail. From time to time, I’ll pick the most relevant questions I receive and answer them here on the podcast.
For this round of Q & A, I answer questions from Stuart from Westhill, Scotland and Victor from Rancho Cucamonga, CA.
Stuart wants to know how to do higher pitched characters without his voice cracking or feeling pain in his vocal cords. In order to help him with his question I explain the basics of traditional western vocal production, a skill I learned from my classical singing training. I demonstrate with my own voice the best way to do higher and lower pitched characters without straining your vocal cords. I then explain why one’s voice “cracks” and what can be done to minimize the effect.
Victor wonders if it’s possible to pursue voice acting part-time instead of full-time. I begin by reiterating the two types of voice over work that I discussed in episode 16 of the podcast:
While it is possible to do one of these on a part-time basis, it is far more difficult to do the other part-time. I talk about what agents and producers are looking for and how if you’re going to play in the major leagues of voice acting, you need to show a major league mindset and commitment level.
I hope you find the answers useful in your own voice acting endeavors!
As a reminder, the number where you can call in and ask your question is:
323-696-2655.
Please don’t forget to include your first name and what city in the world you’re calling from. I’m looking forward to hearing from you!
Thanks for listening!
Download Voice Acting Mastery Episode #52 Here (MP3)